Stasisfield update

Nearly a year ago I noted the return of Stasisfield as a more active label. Since then there has been an ongoing flow from them during 2008 which has been great to see. The music has traversed the general remit of the label - some electronica (much of it), ambience, a bit of worldy manipulated music (Gregory Taylor's delightful gamelan pieces), improvy (Rammel, Mueller and Schoenecker), experiments (Wincek) lots of lowercased minimalist pleasures based around field recordings and even some 'karaoke' (I don't think). The latest release is Kalte's Lantahnide Series. This is a nicely layered drone album which balances metallic gong-like tones with other subtle sounds, that weave in and out - bells and light scraping, buzzes and hints of field recordings - creating a hypnotic ambience. Just after playing this I happened to play something by Marc McNulty in my .Tiln genre (that was a ground breaking net music source), and there were some interesting similarities. Anyway, well worth pursuing, and as with all the free music on the web - you can make up your own mind.

Bruckner of the Month

John F Berky runs an excellent Bruckner website, one aspect of which is that each month he mines his archive for a symphony to make available as a free download. These can be from vinyl (or even acetate) though some occasionally from CD, and are interesting (eg Hindemith conducting no.7), unusual and of course out of print. Initially they were only available for a couple of months, but John has recently decided to keep 12 months worth up. The recordings are exemplary - no hint of vinyl noise - and provides you with multiple versions of the symphonies for those interested (2 versions of No's 1, 4 and 7, and singles No's 2, 3 and 6). The site is here - for 10 current downloads. There are some other shorter pieces also available elsewhere - follow the side bar.

Twilight Luggage

Following the previous post on Andreas Brandal, available for free download from Twilight are two other Brandal albums:

The dead station is the first Twilight release and suggests some of the positions and directions heard in This is not for you. However it also contains some of the more angular edgy forms that appear on the next album.

Insects is a shorter more recent one (available as a download or a cd-r with extra track and individual print) and uses the burring chirping side of the music to bring a narrower palate that does suggest insects. Integrated with this, though, is a range of other sounds that provide additional depth to the layers of insect - whip tones, slowed voices, musical moments.

Both of these two albums are worth sampling to give you an idea about the eh? release, which to my mind is both broader and more coherent

Lupus Golem is Brandal plus Hans Kristian Senneseth and Bjørn Kåre Berntsen and there is an EP on Twilight - Minotaure. This is a noise trio piece - heavy percussion, dense guitar feedback and more, stomping bass plodding along. Then shifting into slightly quieter, restraints which are soon broken through. Heavy dramatic gothic but also nuanced, this is an intriguing and fun thundering 20 minutes.

The tenor of Twilight Luggage is perhaps suggested by their latest release - Jliat's So what do you think I should do? I haven't been following his Noise series - just noted the reviews - and remember fondly his drone period. This is 30+ minutes of constant harangue: deep jet engines, scratching noise, guitar feedback chords cutting through like laser pulses, occasional computer burble as a lighter sound, and weaving through a distorted crackling which could be speech if you listen really hard (but then the brain will make speech out of sound). A strong emetic which should be taken carefully in measured doses. Not something i would listen to on a regular basis, but once in a while...

Andreas Brandal - This is not for you

Eh?40 is a departure from the improvisational mood of the label, but then you come to expect that from anything related to Public Eyesore. Brandal is a Norwegian who has been working on various projects since the 80s and releasing solo-work for about a decade. He runs a label - Twilight Luggage - which has one of his albums plus collaborations and some other groups. More on them in the next post. Is This is not for you for you? When I first put this on I had been listening to The Tone Generation podcasts (mentioned here) They immediately came to mind - but this then goes beyond that. So here are some thoughts.

The burning room with long slow tone melodies, crackles that move around, throbs and notes noises that slide in and out is a stately piece of concrete electronica. Ringing tones and gongs of the title track are lovely with muted crinkling and crunches. Soft tones form bookends to a rising ratchet and gentle voiceiness in The ghost opera. Acoustic guitar appears in Sleep miracle along with more tones soft and high gentle ones before a long scraping fade. A door opens at the start of Abreg ad habra taking us into an exploration of plucked notes (metal?wire?), a deep hum, billows that builds and releases, longer harmonica notes and strange crackles join in a fascinating extension.

Scifi tones, drifting restrained radiowaves all Shine. Then an aleatoric ambience of The mirror stage full of gentle stuttering, high and deep tones, wind, drifting simple warmth and guitary shimmers.  Concluding with Julien torma where loose cable skitters, a deep hum, sweet tones and guitar strums contrast harsher tones and clicks which emerge, sliding into harp-like reverb tones and crackles as the track ends.

This is an excellent album - amongst the often improvised and lo-fi recordings of Eh? it provides another view of where music can go - and this one definitely is music and belies its title for the sort of people I imagine reading this blog. Some more has dropped in from the label in the last few days, so expect some more noisier stuff soon - and meanwhile get this.

 

(And it's nice the see Eh? website get the full catalogue/review structure of Public Eyesore)

10 free symphonies

Thanks to K Krebs, via Facebook of all things (which I am exploring) a pointer to a set of Symphonies from Dutch Radio 4 celebrating 120 years of the Royal Concertgebouw Orchestra. They are mainly romantic, and come as a single file (the Bruckner is 85 minutes) but with a pdf cover. You have to register which is not much to ask. A nice set anyway.

go to here

Dam Drm

Within various personal constraints I don't think of myself as a music pirate. So first my confessions. When Napster first came out I had a try and downloaded a King Crimson album but left it at that and I don't bittorrent. While most of my MP3 collection is either purchased (iTunes, Classics online and Bigpond) or downloaded from label/individual sites freely available, I do have a fair chunk of MP3 recorded vinyl (iPod or similar hooked up to amp via the earphones, giving long, single disk side or tape recordings: no-one else would want!) or ripped cds (again, only personal use). And I did associate 'We7', 'adverts' and 'audacity' in the same sentence/s - but those tracks would be downloadable 28 days later ad-free, and at that time the ads were for We7. And I did let them know when I got a few downloads that were ad-free straight off.

So the only real impact of drm for me is that the iTunes tracks won't play on my eeepc as it runs linux, and I had to burn the wma tracks to cd and rip to get MP3s. So I was pleased when Bigpond started selling MP3s (with some great classical bargains - a 17 cd Chopin complete set for $16.50: though their tagging doesn't include disk number at the moment which is a nuisance and another matter).

Anyway, my computer recently died, but luckily all the music is on an external disk, and I decided to make a dvd of my Bigpond wmas for security. Did that, then tried to play them (to check the copy) to no avail. The originals wouldn't either. So I went back to the Bigpond site FAQs and found that the tracks will only play on the computer you bought them on - and if you want/need to play them on another you need to repurchase them. Now I understand the reason the rights management, and agree with most, but this is outrageous. When you bought a new stereo, turntable, cassette player you didn't need to rebuy all your various forms of music. It takes management to extreme levels. And explains why people do pirate the stuff.

Luckily for me I had MP3'd them all (legally?) and now will only buy their MP3s - which are totally drm free: what a turnabout! I wonder how many people have really read that fineprint? At least iTunes allows a reasonable number of registered computers.

OK, so this is probably not news to most, but I feel better getting it off my chest.